Astrid Sonne is a Copenhagen-based composer and viola player. With a background in classical music, she opens up an electronic space to channel different perceptions of sensory and emotional states of being through open, melodic compositions. Balancing contrasts is a reoccurring theme in Astrid Sonnes work, where alternation between repetition and renewal is used as a mean of expression. Her compositions consist of everything from synthesizers to choir samples and viola sequences, exceeding genre definitions yet paying homage to sources of inspiration, be it a Danish choir tradition or various noise soundscapes. Furthermore, Astrid Sonne has engaged in creating conceptual, site-specific compositions for places like the old ruins under the Danish Parliament and a stretch of the Copenhagen Metro as a part of Trans Metro Express for Strøm Festival.
Her Debut album Human Lines was released via Escho on February 16th 2018. Astrid Sonne says: “With Human Lines I wanted to explore the balance between repetition and renewal in various universes which responds to different emotional stages. It has been important for me to work with the idea of what happens when computer-generated sound meets organic sound, such as vocal and viola, but always bearing in mind that it should not overshadow the emotional relatedness that I wish for people to have when they listen to this album.”
- Astrid Sonne
- Beatrice Dillon
- BJ Nilsen pres. The Accursed Mountains
- Dino Spiluttini
- Dis Fig
- Dorian Concept
- Elisabeth Schimana
- Heart of Noise Vinyl Edition 08 - Haus der Regierung
- IMA Institut für Medienarchäologie pres. "Hidden Alliances"
- Jung an Tagen & Rainer Kohlberger
- Lukas Moritz Wegscheider
- Nicola Di Croce
- Mo Nahold
- Oren Ambarchi / Mats Gustafsson / Eric Thielemans
- Peter Rehberg w/ Tina Frank AV
- Traurige Tropen Orchester
- Vladislav Delay A/V
- Winfried Ritsch & Atelier Algorythmics pres. "ensemble mécanique"